Wall painting of the Mehen snake protecting the barque of Re (facsimile) — Lancelot Crane

By Masterworks October 14, 2026 2 views

An ancient serpent guardian captured in watercolor. This 1910 facsimile by British artist Lancelot Crane preserves a wall painting from around 1314-1300 BCE, showing the Mehen snake protecting the barque of Re during its sacred journey. Created in tempera on paper at one-to-one scale, it offers a window into Egyptian spiritual imagery. Save and share this glimpse of timeless cosmic protection.

Image: The Met Open Access, CC0 public domain

The ancient Egyptians saw the universe as a cosmic drama of creation, chaos, and balance. At the heart of this vision stood Ra, the sun god, and a peculiar serpent named Mehen whose job was to protect him as he journeyed through the dangerous night sky. This wall painting, preserved through a 1910 artist's hand, opens a door into how Egyptians understood divine protection and the eternal struggle between order and disorder.

The barque and Ra's nightly voyage

In Egyptian mythology, Ra was not simply present in the sun we see. Each night, he died and was reborn, traveling in a sacred boat called a barque through the Duat, the underworld. This was no pleasant cruise. The journey through darkness required constant vigilance because chaos in the form of serpents, demons, and hostile forces threatened to destroy the sun and plunge the world into eternal night. The barque carried Ra and his crew of divine helpers through twelve hours of perilous travel, and only if they succeeded would dawn return and the cycle of creation continue.

Mehen the coiled protector

Mehen appears in Egyptian texts and temple art as a serpent of immense power, but not an enemy. He was protective, guardian, and guide. His name itself refers to coiling or encircling, and he wrapped himself around Ra's barque like a living shield. In the Book of the Dead and other sacred writings, Mehen appears as one of several forces that defended the sun god, though he occupied a unique role. Unlike Apophis, the chaotic serpent that actively fought Ra (and often failed), Mehen was the coil of safety, the defensive circle that nothing hostile could penetrate. He embodied magical protection through his very shape and presence.

How artists saw and recorded the sacred

The wall painting shown here originated in a royal or elite tomb, likely from the eighteenth dynasty period when such cosmic journey imagery flourished in burial chambers. Egyptians believed that depicting these scenes ensured the deceased would also benefit from divine protection in the afterlife. Artists worked within strict conventions: the serpent had to be shown in a particular way, the barque oriented correctly, the god represented with recognizable symbols. These were not free artistic expressions but careful reproductions of sacred knowledge meant to function magically and spiritually.

Why Lancelot Crane documented this moment

In the early twentieth century, scholars and artists like Crane traveled to Egypt to record wall paintings before time, weather, and human disturbance could destroy them. Creating a one-to-one scale facsimile in tempera on paper was laborious work requiring close observation and technical skill. Crane was participating in an urgent mission to preserve and share knowledge that would otherwise be lost. His work became a bridge between ancient tombs and modern viewers, allowing people far from Egypt to encounter these images as the ancients had rendered them.

Why this image still matters today

The image of a protective force encircling something precious resonates across cultures and time periods. Whether understood as myth, spiritual practice, or symbolic art, the Mehen serpent represents humanity's ancient impulse to create order against chaos, to imagine that vigilance and dedication can hold back threat. For scholars of religion, art historians, and simply curious minds, these paintings are primary sources that reveal how sophisticated and coherent ancient Egyptian spiritual worldviews were. They show us a civilization that invested enormous creativity and resources into imagining the sacred and making it visible, permanent, and real enough to touch.

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